The Family of LIFE Magazine


Those who worked for ."In the Sanctum:

John Ames Mitchell, founder of Life at the age of 38 in 1883
John Ames Mitchell was born in New York City on January 17, 1845. He died in Ridgefield, Connecticut on June 29, 1918 after a "stroke of apoplexy". His parents were Asa Mitchell and Harriet Ames. Both families had genealogies that could be traced proudly back through hundreds of years and many generations of distinguished achievers. At his death he was survived by his wife, Mary Mott Mitchell.
Andrew Miller, business manager, Harvard Graduate 1880
Edward S. Martin, editorial writer from the beginning in 1883
James Stetson Metcalfe, dramatic critic
Thomas Lansing Masson, editorial writer

Robert Bridges (aka "Droch") writer
Brander Matthews, drama critic

Women on the staff of Life
Kate Masterson
Carolyn Wells
Agnes Repplier
Theodosia Pickering Garrison
Emma Carleton
Madeline Bridges
Jennie Betts Hartskick
Later employees (1923, 40th anniversary issue)
Robert C. Benchley
Robert E. Sherwood
Oliver Herford, associate editor, writer, poet
Louis Evan Shipman, writer
F. De Sales Casey, art editor
George b. Richardson
LeRoy Miller
Lucinda Flynn, associate editor

*C. COLES PHILLIPS (1880-1927) was famous for what was known as "The Fadeaway Girl". He used a unique technique of tying the figure into the background by texture, color or pattern. When color covers became popular his "Fadeaway Girl" made her appearance and was an instant success. He sold his first illustrations to "LIFE Magazine".

*NORMAN ROCKWELL" (1894-1978) is one of the best known of all American Illustrators. His paintings of human sympathy and emotion reflect the spirit of the country during the fifty years that he graced the covers of all major magazines. Even though he is best known for his paintings for the Saturday Evening Post his work is also seen several times on the cover "LIFE Magazine".

*ALBERT D. BLASHFIELD" (1860-1920) was a personal favorite of John Ames Mitchell. He joined the staff of LIFE in the early 1890's and remained an important illustrator until his death. His major contribution was LIFE's cupid which floats through the pages. His style was striking and handsome but never frilly. He decorated title pages as well as in-house advertisements. He also illustrated several of Mitchell's books.

*C. CLYDE SQUIRES" (1883-1970) was born in Salt Lake City the same year LIFE Magazine was born. He published his first illustration for "LIFE Magazine at the age of 23. He is best known for his romantic depictions of the West.
"C. Clyde Squires read of a researcher who drank whiskey with water and got drunk! Drank brandy with water and got drunk. Same thing happened with rum and water.
So he concluded that water was intoxicating."
from Newspaper clipping, Albert W. Daw Collection

*F.X. LEYENDECKER(1877-1924) was always known as the younger brother of J.C. Leyendecker. For most of his life he worked with his brother in their studio, first in Chicago and later in New York. He was born in Germany and studied for a time at the Academie Julian in France. He was known for his stained glass work as well as his illustrations for posters, magazines and advertisements. He fell victim to drugs and died in 1924.

*CHARLES DANA GIBSON (1867-1944) John Ames Mitchell who bought Gibson's first drawing when Gibson was 7 years old said that he "detected beneath the outer badness of these drawings peculiarities rarely discovered in the efforts of a beginner...his faults were good, able-bodied faults that held their heads up and looked you in the eye. No dodging of the difficult points, no tricks, no uncertainty, no slurring of outlines...there was always courage and honesty in whatever he undertook." He was the president of Society of Illustrators in the teens. During WWI he headed a government agency that produced war posters. He developed the beautiful ever popular Gibson girl and Gibson man.

*JOSEPH CHRISTIAN LEYENDECKER (1874-1951) was the oldest of the Leyendecker brothers. Both men were famous artists. J.C. illustrated over 300 covers for the Saturday Evening Post. He also created the Arrow Collar Man. His pencil or charcoal sketches were mostly about 2x3 inches and his oils only slightly larger. He then transferred his sketches to a larger canvas by the "squaring up" method.

*JAMES MONTGOMERY FLAGG (1877-1960) sold his first illustration to LIFE at the age of 7. He continued to work for LIFE for twenty years. His humor and satire were his forte. He worked rapidly and created many portraits and caricatures. He greatly admired women which led him to create the Flagg Girls. They were tall, wide shouldered beauties with a face as "symmetrical as a Greek vase. After an active productive life he died in virtual obscurity.

*ANGUS MACDONNELL (1876-1927) worked for many years with LIFE Magazine as a cartoonist and illustrator. His contributions were not only color covers but double spread illustrations for the centerfold. He was first a penman in the Gibson style. Later his own distinctive style developed, characterized by two things: the beautiful use of pencil shading and the consistent nostalgic, sentimental theme. His world was that of human interest memories, wistful love and shared dreams. MacDonnell was also popular with fellow illustrators because his three daughters were popular as models.

*MCCLELLAND BARCLAY (1893-1943) was best known for the Fisher Body Girl. He worked for 10 years on this advertising campaign for General Motors. He is best known for his ability to paint strikingly beautiful women. The McClelland Barclay Fund for Art was developed after his death to aid American artists "who have never had a fair opportunity."

*ORSON BYRON LOWELL (1871-1956) was the son of Milton Lowell the landscape painter. He was encouraged by his father to "draw something every day". In 1907 he became a contributor to LIFE Magazine. His social cartoons were his greatest contribution during his lengthy association with the magazine. He also illustrated many posters and books.

*OTHO CUSHING (1871-1942) attended the Boston School of Arts and the Academic Julian in Paris. He joined LIFE in 1906 when the first cartoons he submitted received approval. His style is distinctively classical. Most of his figures use Greek Gods and Goddesses as characters. Many of his subjects are satirical comments in a political or social vein. His society women often wore togas rather than gowns. He often mixed up historical and socio-classical subjects.

*Wladyslaw T. Benda (1873-1948) is most well known for his theatrical masks. He also invented the very successful "Benda Girl". Her success as a beautifully illustrated figure kept him working as an illustrated for most major magazines. His Polish background also made his flair for Eastern European scenes an important contribution to his illustration career. His illustrations were often a combination of pencil, ink, charcoal and watercolor or pastel.

*ANTON OTTO FISHER (1882-1962) was a German orphan. As a young man he spent several years as a seaman on different vessels. Later he spent time studying in Paris at the Academic Julian in Paris. He is best known for his marine paintings. He illustrated for many of the major weekly magazines in New York. He was given the rank of "Artist Laureate" by the U.S. Coast Guard.

*Thomas King Hanna (1872-1952) was a midwestern boy from Kansas City, Missouri. He attended Yale University and the Art Students League in NYC. T.K. Hanna as he signed his illustrations, worked for many of the major weekly magazines. His illustrations were skillful, strong, and "straightforward". He rendered historic costume subjects as well as contemporary scenes.

*Walter Granville-Smith (1870-1938) was from New York and studied at the Art Students League in New York City and also in Europe. He won many awards and has art work in many of the prominent New York City art clubs ie. Salmagundi Club, National Art Club and others.

*John Held Jr. (1889-1958) was best known for his stylized flapper girls of the 9201s & 301s. He began his career as a sports cartoonist in Salt Lake City, Utah. He taught sculpture and ceramics in his later years as an artist-in-residence at Harvard University and University of Georgia. Edward Windsor Kemble (1861 -1933) is best known for his illustrations of southern rural life. E.W. Kemble had nor formal art training. His career began in 1881 as a cartoonist for the New York Daily Graphic. He was particularly empathetic to Black characters and "drew them with understanding". He is known for his illustrations in books such as Uncle Remus, Huckleberry Finn and Uncle Tom's Cabin.

*B. Cory Kilvert (1881-1946) was devoted to watercolor seascape painting. A graduate of the Art Students League, he began as an illustrator of children's books. For LIFE Magazine his illustrations were often on a golf theme. He was a graduate of the Art Students League.

*John La Gatta (1894-1977) earned an early reputation for drawing beautifulwomen. He illustrated many magazine covers during the 19201s and 301s. Inhis later years he moved to Los Angeles and taught at the Art Center Collegeof Design.Herbert Andrew Paus (1880-1946) is described as 3full of the spirit of glorious legend. He had a strong sense of ornament with bold masterful color. He designed books, posters, cartoons and even a stage set for The Betrothal by Maeterlinck. He illustrated many children1s books and alsocreated posters supporting the efforts of the troops during WWI. Albert Edward Sterner (1863-1946) was an English gentleman who began his career as a draughtsman and lithographer. He provided many editorial illustrations for LIFE and other popular weeklies. He taught in several NY schools and served as president of the Society of Illustrators in 1907 and 1908.

*Will Crawford (1869-1944) was a self taught artist. He began his career in his teens illustrating for newspapers and magazines. His cartoons often poked fun at what really happened in an actual historic event. He was a free lance artist for LIFE, Puck and other weeklies. Later he moved to Hollywood and became an expert on Indian costumes.

*F.G. Cooper ( ) is one of the worlds foremost poster artists. He is the creator of the little Edison figure and calendars. He also was a pioneer of lower case letters. During WWI he drew posters for the war and the theatre entirely in lower case letters. He used lower case letters as borders and designs in many of his covers for LIFE Magazine.

*Henry Hutt (1875-1950) sold his first picture to LIFE at the age of 16. His illustrations were very influential in setting fashion for the up-to-date female of the time. He studied at the Chicago Art Institute. His Henry Hutt Picture Book was a popular gift book in 1908.

*Victor C. Anderson (1882-1937) was born into the home of Frank Anderson, a well known Hudson River School painter. From an early age he drew and painted, entering the Pratt Institute in Brooklyn. His subjects such as homespun rural life and landscapes graced the covers and center folds of LIFE for many years.

*T.S. Sullivant (1854-1926) was a master draftsman who chose to distort the facts in his illustrations. His animal drawings are often a calculated exaggeration based on an intimate knowledge of anatomy.

*W.A. Rogers (1854-1931) was born in Ohio and by the age of 7 was drawing cartoons for a midwestern newspaper. He moved East and took over the political cartoons from Thomas Nast for Harper1s Weekly. He would take on any kind of illustration assignment earning him the title of "special artists".

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